“I noticed that when Hale performed as Shepard her lush, dulcet speaking voice hardened somehow, as though edged in concrete. “Shepard’s a military person,” she told me later. “Military people do not get what they want by being emotional.” Indeed, during the session Hale stopped a few times because she knew she had gone “too emotional.” It was not merely Shepard’s martial bearing that constrained Hale. Because of the nonlinearity of the dialogue, she had to be vigilant about letting feeling from one line spill over into another. Hale performed with an intensity that she could, apparently, summon at will. She seemed to immerse herself, often looking around maniacally, her teeth bared in primate agitation. Then, as the context of new lines was explained to her, she would pace, picking at a cuticle or rubbing her arms or looking intently at her screen.”
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this article is pretty old (circa 2011) but definitely worth a read if you haven’t already!
(via tetrahedrals)